There's a woeful attempt to blend a sci-fi story into a dark action thriller, and it fails on every level. That complaint extends to the plot, which is ludicrous to an extreme. The character designs have been seen before. Simply put, while there are firefights and other action bits, none of them stand out in any way. Yet on the whole, Kite Liberator is less accomplished than the original or even the Mezzo entries. If you've not seen any of Umetsu's other work, you might be impressed. The CGI used for the space station looks great, for example. On a technical level, there's a certain amount of dexterity here. So who best to take down Pops than Monaka? Affected by experimental space food, he and another astronaut become armored mutants on a rampage of destruction. While she's busy playing deadly vigilante, her dad is up on the space station where's he's been for the last four years.
But at night, she's an avenging angel who takes on the scum of the city with a gun that fires exploding shells. By day, she works at a maid cafe, a cute little thing harassed by her clientele and protected by an older waitress known for putting hot sauce in the beer of uncooperative customers. In Kite Liberator, Monaka is an intentional Jeckel and Hyde. Truth be told, I wish that Kite Liberator was a real sequel to the original, because it certainly would have been more interesting than this awful mess they baked up instead. I'd also heard that Kite Liberator was virtually unrelated to its predecessor, making me think it might be better.
However, having held out hope for Umetsu since being awestruck at "Presence" years ago, I thought perhaps he'd still have some good material left, especially since the TV series Mezzo had some decent bits. As you might guess, I didn't think much of it (though you can read all my thoughts on it here.) Dark and disturbing, Kite had a strong and loyal following despite its compressed plot stolen from better films like The Professional. Kite was fueled by graphic violence and underage sexual abuse that created a stir (and took years to be released unedited in the West). Director Yasuomi Umetsu had made a name for himself with his beautiful work from the "Presence" section of Robot Carnival, but the sexuality and ultraviolence on display in his Megazone 23 Part 2 were a foretaste of what lie ahead. Many years ago now, Kite made the rounds as the cool anime of the month. But she seems so delicate and sensitive, can it really all be an act? Her past is tied with Akai, and her fate is a duel to the death with the one man who can protect her, the one she loves most.A little controversy goes a long way. By day, the Angel of Death wears a different face, the face of Monaka, an ordinary high school girl. She eliminates her targets with grace and precision, and then vanishes without a trace into the darkness. Kite Liberator -The story of a new killer has begun to circulate around the city. Years later, her whereabouts are still unknown.
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When Sawa's guardians learn of her new friend, revenge is sought and Sawa must fight to break free from the cycle of violence. The teenage assassin Sawa discovered the man behind her parents deaths was her own her foster father, the police detective Akai. They provide each other with emotional support, helping Sawa regain control of her own life. Sawa eventually meets another assassin, a boy named Oburi, and they quickly become friends. Now under the control of her detective guardians, Sawa becomes an assassin whose targets range from alleged rapists to corporate fat cats. Kite -After her parents' brutal murder, young Sawa is orphaned.
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